The Wings of La Mariposa

On this day the governors of La Alma
proclaimed Youth On Record
a social justice organization

It was a day some snickered,
some sneered, some jeered

The community at large cheered La Mariposa
peering into mirrors of self doubt,
inferiority complexes and barrels of disbelief,
turning over leaves from falling dreams,
from making something out of nothing
to taking old things we knew
and making them new,
speaking truth to news cameras
in search of sound bites,
barking at the heavens
a triumph
of horn lines,
rapping 16 bars at a time
about transformed lives,
watching the street signs change
under disappearing telephone lines,
in gentrifying times
we thought we might change something too

So we asked You
to support a vision

My son asked me last week about Capitalism
My response was a story about $2.1 million
collective footnotes in history, a building
that would broadcast the next seven generations,
constructed on the backs of artists,
activitists, dusty foot philosophers
and working class dreamers,
brave enough to collaborate with bigger money,
and big money brave enough to collaborate with the people

A step in a direction
of shedding the divisions
that imprison humanity’s wings

It was a day of celebration en La Alma,
a day we all breathed with less fear,
a day we knew you would remember us
standing here
speaking with you
the wings of La Mariposa.

 

~ a poem to mark the grand opening of Youth On Record’s Youth Media Studio on the West Side of Denver

 Speaks, Kalyn, Yoda, Nate

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Future Town

Future Town
     by Molina Speaks

The future of music lifts
Ancient hieroglyphs in sound waves
Modern airplay must give way
The new creative class is coming

Humming, hovering, hustling
to be heard, our words curve
Mockingjay designs, dagger verbs
our picket signs

Old lines become shadows and we shade
Done standing in lines, music will even pay to play

We drown days of sorrows in cluttered bedrooms, unfinished basements, gentrified stoops, street corners, opening garage doors,
planting miracles into unlit space, endless time,
designing our own futures so we will not be swallowed
by dust bowls or ghosts in the machine

We are
not the mere relics of strange fruit,
not the forgotten hands of intertwined roots
We sculpted the bricks, leveled the floors and mixed cement for these buildings, and we want more than what we have been given access to

We deserve to be heard, so yes, we will even pay to play
Even if it’s just to spit the fire of lyrics to near nonexistent crowds, most whom will not hear the brilliance in the poetry of even one verse over the roar of beer, cell phones, sidetalk
We still write in chalk on sidewalks
You never know how you may reach the next one like you

Art will always say “I am Here”,
riding a bucking bull into Future Town waving two fish,
carrying two buckets of water and organ keys
into Aquarius

Be you Ol Skool, True Skool or New Age
the tags on the high beams are always the same
Adapt or Die
That’s music

We weather the edges left of center with our right brains
saddling it, circling days of crows that cray the decays of the age

Do you see a web that could upend the top down and flip it on its head?
Do you envision a collapse and a revision of disposable culture?
Or just The Collapse?
Can you envision a new system of economic and cultural exchange?
Or do you only see the cash?

Reset
We thread
Skill sets
As artists
We flex
Next

Whether you wax Dystopian Utopia or Utopian Dystopia
We do not wait for outcomes, we create the context

Response:
A call to La Alma we address the most pressing issues of this design
The artist knows she can confront the education crisis, and through music, reverse the school-to-prison pipeline
The focused activist knows it is not about solving but experimenting
He actively addresses the systems’ isms
A life vision that reengages disenfranchised suns and daughters
Deeper relationships within the village
Land, food,clothing, shelter, water and music

Time:
To crowdsource the alleyways
Provide direct access to the underserved
Convert startup and revenue streams to unsuspected dreamers
Create capacity for new content in up-and-coming markets
Draft policies to make up-and-coming a reality for communities who are not, but need to be, and deserve to be
Up-And-Coming

Reality.

Remember:
It is our responsibility to activate ourselves, advocate wealth, and create healthy space in vibrant places where the soul of humanity speaks loudest through the teeth of resilient youth who don’t give a FUCK
about any of this fancy language

They came to sing
They came to shimmy, to shake
They came to two step, doo wop, lindy hop, gogo, break
Pop, lock, salsa, merengue, bachata, krump, twerk–Orale!
They came to smile
They came to laugh
They came to play

We owe it to ourselves to be there with them
In the schools, in the parks, in the heart centers of Community
Downtown, uptown, ghettotown, underground, aboveground

Future Town.

 

[Live poeticizing at the Future of Music Coalition Policy Summit in Washington, DC.  Presented October 28, 2014 on a panel featuring Youth On Record, recognized for music education.]

About The Artist Lens

The Artist Lens blog experience is curated by Molina Speaks, dedicated to Poetry, Image, Muse, Open Letters, Arts Education and Profiles of artists and their work.  If the digital age is to be all encompassing, let it be artful.

Molina Speaks is a writer, poet, hip-hop artist, and event producer. Molina is the Performance Director and a Lead Instructor for Youth On Record. He is a TedX fellow and has been an Artist In Residence with the National Hispanic Heritage Center, Mizel Museum, Journey Through Our Heritage and Noel Community Arts School. He has worked on National Endowment for the Arts projects and has accepted invitations to speak and perform and dozens of universities, including Columbia University, University of California at Davis, UT Austin, CU Boulder, and the University of New Mexico. Molina Speaks has taught master artist classes at Boston Arts Academy and Colorado Academy. He has collaborated with the Denver Spirituals Project and was recognized as a keynote poet for 2013 Lalo Delgado Poetry Festival. Molina is the music supervisor for the documentary film Papers. He is a member of the Cafe Cultura artist collective. Molina has released over a dozen poetic and musical works, which have been recognized and critically acclaimed by the Denver Post, 5280 Magazine, Westword, Colorado Music Buzz and other publications.

For more information about the Artist visit www.MolinaSpeaks.com.

Email contact: molina@molinaspeaks.com