“Our Plutos” (Biennial of the Americas 2015)

by Molina Speaks

(This poem was scribed to reflect Astronomy on Tap, a chat over beer about Space with American astronomy experts.  Molina was commissioned as the live poetic scribe of the Biennial of the Americas 2015.)

Our Plutos

Pluto, the abandoned child, we have cast you
out of our Solar System, but still we cannot let you go,
we string you along when it’s time for show

Pluto
fa show, fa show       Pluto
fasho, fasho
                                                          Pluto

we imagine you in the darkest corners, the forgotten
supernovas of our indigenous american diaspora

yours are the souls we launch to the furthest reaches of our light zones
kept in the blackest holes still identified an unseen by the bluest eyes

but right here in the brownest dirt we find america’s oldest bones

a wonder that we marvel at returning images of planets and satellites from afar
out in the very darkest solars, without caring for our own Plutos here at home

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About Molina Speaks

Molina Speaks is a writer, poet, hip-hop artist, and event producer. Molina is the Performance Director and a Lead Instructor for Youth On Record. He is a TedX fellow and has been an Artist In Residence with the National Hispanic Heritage Center, Mizel Museum, Journey Through Our Heritage and Noel Community Arts School. He has worked on National Endowment for the Arts projects and has accepted invitations to speak and perform and dozens of universities, including Columbia University, University of California at Davis, UT Austin, CU Boulder, and the University of New Mexico. Molina Speaks has taught master artist classes at Boston Arts Academy and Colorado Academy. He has collaborated with the Denver Spirituals Project and was recognized as a keynote poet for Denver's Lalo Delgado Poetry Festival. Molina is the music supervisor for the documentary film Papers. He is a member of the Cafe Cultura artist collective. Molina has released over a dozen poetic and musical works, which have been recognized and critically acclaimed by the Denver Post, 5280 Magazine, Westword, Colorado Music Buzz and other publications.

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